Polderbits replacement1/20/2024 ![]() Whether you (or I, or anyone else!) can hear a difference, I don't know. Cool Edit, SSRC, foobar2k) will do a better job than the actual sampling in your sound card. You might be able to get a "better" 44.1kHz version by recording at 96kHz or 48kHz, and then downsampling to 44.1kHz - because a good resampling algorithm (e.g. If some of it might find its way onto audio CD, use 44.1kHz. If you are sure you will never want to burn this stuff to audio CD, then use 48kHz. The cost in processing time and disc space (if you keep it at 96kHz) shouldn't be under estimated. You could sample at 96kHz, but the benefit would be almost nothing. You have a lot of options, and most of them will sound just fine, whichever you choose! (Yes, I am grumpy that it's gone - that was a good board!) Supposedly I'm registered, but I can't make it work. ![]() Apparently the Adobe board does, but it's a bit mangled. It doesn't contain the previous 5(?) years of useful posts from the old synt community. Heh-heh, there still there, you just gotta know where they're hiding! Quote There are many excellent discussions at the syntrillium cool edit forums on this topic. ![]() And what sample rate/bits should I convert to before compression in Monkeys. In short given this setup, what sample rate/bits should I record the audio in. What is doing the downsampling? Polderbits or the Audigy drivers. Which makes me wonder whether I should be recording through polderbits at 44.1/16. I assume this means that whatever comes into the line-in gets sampled at 96khz/24bit. In the specs it quotes:Ģ4-bit Analog-to-Digital conversion of analog inputs at 96khz sample rate The soundblaster audigy 2 confuses me a little. And I have confirmed this using a frequency analysis in cool edit. I feel the reply's have made me believe that 32khz probably isn't the way to go as tapes and good playback equipment can go over 16khz much easier than I originally thought. And cool edit for any editing of the resulting wav. To record the input to wav I'm using Polderbits 2 software. I'm using a Yamaha K-300 (it was good for it's time!) cassette deck, with the output running into the line-in of a Soundblaster Audigy 2. I have basically loads of original cassette tapes which I would now like to encode losslessly (monkey's audio) on my PC. The MRF-300 base station is an “addressable” base station.Ok to clarify a little, since I was a bit vague I think. It is only compatible with Universal Remote Control’s line of Custom Programmed Remotes with RF Addressing such as the MX-3000, the MX-950 Aurora, the MX-850 Aeros, the MX-800, MX-650 Omega and the MX-350 Osiris. RF Addressing gives you the ability to control as many as 90 identical components throughout a house.ġ. ![]() URC “Addressable” remote controls send radio waves in every direction, so you don’t have to point the remote anymore!Ģ.The RFX-150 RF Sensor can be freely positioned out of way of the interference the A/V components create, connecting to the MRF-300 via a 10’ cable (which can be extended).ģ.The built-in Front Blaster sends commands to components in the same cabinet space as the MRF-300.Ĥ. Self-adhesive “Flashers” affix to the Infrared sensors on the front panels of your components. The Flashers relay commands to components out of sight of the MRF300’s Front Blaster. The flashers plug in to the MRF-300’s rear flasher line outputs via their 10 foot cables. Interference Rejection and Adjustable RF Range via RFX-150 Uniquely, the MRF-300 can also connect to rear panel IR Inputs via its adjustable IR Line Outputs. The MRF-300 receives RF (radio frequency) signals via the RFX-150 RF Sensor. The RFX-150 displays RF interference via a bright RED LED, which flickers when interference is present. Simply relocate the RFX-150 out of the interference or reduce the range to eliminate interference via the RF Range adjust screw.Įxpand Range by Adding RFX-150 RF Sensors in Remote Areas Variable IR Output Matches Rear Panel IR Inputs The MRF-300 can power up to three RFX-150 RF Sensors connected in parallel to the RF Input connector. The MRF-300 is equipped with adjustable IR line outputs, each output can be individually matched to rear panel IR inputs on any component that is designed to be operated by a standard IR repeater.The outputs utilize a 3.5mm jack. Up To Fifteen Equipment Locations With Identical ComponentsĮach URC MX series “addressable” remote control can be programmed to specifically control components in a particular room, by installing a base station at each location. In operation it’s simple: when you select a device located in the Den, the MX series remote only sends commands to the Den.
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